“We make automata.”
This answer to the question of our employment usually leaves the inquirer with a puzzled look on their face as they mentally try to decipher the meaning of our statement. “Automata, what’s automata?” Our response of, “we make moving figures” turns a light on; “Oh, like those dancing Santas, I have one of those.” Technically correct, but not really the same thing.
“Our design process starts with an attitude. We find inspiration in strange and unusual imagery; beautiful, but disturbing, intriguing yet provoke feelings of uneasiness. Interesting faces encountered on our travels, outrageous hairstyles, centuries old religious icons and ornately embellished wax effigies; these are the creative seeds for many of our figures. When we come across an interesting item, we wonder, “Who would wear such a thing?” and design a character that would.”
About Chris and Peter
The husband and wife team of Peter Meder and Chris Chomick have been working together for forty years. They met in 1978, while employed as clerks in an art supply store in the Chicago loop and discovered their mutual fascination with puppets, stop-motion films, and mechanical toys.
Inspired by their interests in puppets and animation, they immediately began collaborating on various projects; one of the first being a stop-motion animated puppet of the Dutch Boy for Sherwin Williams Paints. This began a career creating special effects for national television commercials.
In creating their figurative artwork, Chris and Peter combine the knowledge and strengths of their different art backgrounds to create their own unique form of figurative art and automata. They each have defined rolls based on their individual skills: Peter builds the interiors and supports (armatures, mechanisms, display boxes) while Chris creates the exteriors (sculpting, painting, costuming).
Chomick+Meder’s work has been featured in various national and international art doll and automata publications, and is included in many private collections throughout the United States, Canada, Asia and Europe. In 2018 they were given the golden Max Oscar Arnold Award in “Category 13. The best overall work of an established artist” by the Cultural Council of Neustadt bei Coburg, Germany.
Warehouse Arts District Association (WADA), St. Petersburg, Florida
Florida CraftArt, St. Petersburg, Florida
National Institute of American Doll Artists (NIADA) Elected 1997 as Artist Members
About Peter(Robot Boy)
In the Chomick+Meder team, Peter is the Idea Guy and Quality Control. He builds the armatures for our figures; designs and builds the mechanisms, display boxes and electronics for the automata. Basically, in charge of creating the Interiors of our figures.
He was born in Chicago, Illinois and during his childhood, lived briefly in Würzburg, Germany. As a child, Peter was fascinated with window displays, puppets, magic, stop motion animation and was often reprimanded for taking his toys apart. He was ten years old he made his first Automaton, a “Strongman”, carved from a cork and clothed in an outfit he had sewn from an old sock. It was powered by a motor he constructed using a rubber band, a spool, piece of wax, and a few toothpicks. Peter graduated from Loyola University, Chicago with degrees in Fine Art and Communication, he worked as a Model Maker, creating special effects for national commercials [McDonald’s, Standard Oil-Amoco, Fisher Nuts, Sherwin Williams].
About Chris(Dolly Girl)
In the Chomick+Meder team, Chris is in charge of Promotion and creating the Exteriors. She sculpts, paints, and sews the costumes; and is the hairdresser as well. Molding and casting is also part of her job and she has recently switched to 3D sculpting and printing our figures.
She was born 1954 in Burnaby, B.C. Canada, one of seven children. Her childhood was filled with drawing, sculpting, and craft projects through which she would make dolls and toys for friends and family, often sacrificing her own toys. Her mother once found her with a handsaw “redesigning” one of her baby dolls for yet another project. She went on to trade school to study Commercial Arts which led to a career as an advertising Production Artist. She later turned to drawing, painting and sculpture as forms of artistic expression, eventually discovering polymer clays and figurative art sculpture. Aside from sculpting our figures, Chris is a freelance graphic designer for both web, print, and Book design.
Our design process starts with an attitude. We find inspiration in strange and unusual imagery; beautiful but disturbing, intriguing yet provokes feelings of uneasiness. – CHOMICK+MEDER
Questions & Answers
About the Dutch Boy
The first “doll” we made as a team was a stop motion animated puppet for a (1981) national television commercial. This opportunity literally came knocking at our door. A friend had recommended Peter to a local visual effects company who was looking for someone to make a puppet for their commercial.
The company provided us with the advertising agency’s layouts of the television commercial. The object of the commercial was to introduce Sherwin Williams new “Dirt Fighter Paint.” It begins with a man named “Henry Waller” lamenting about how he hates his walls because he can not keep them looking fresh and clean without having to paint them over, and over again (apparently his kids were never introduced to the sink). The commercial ends with our hero, the Dutch Boy, as he walks on screen and reaches up on the wall to wipe off the tagline “For walls that get dirty again. And again. And again.” like he was cleaning off dirt. It was a well executed, entertaining commercial.
The challenge for us was in order for the Dutch Boy puppet to reach up and wipe off the dirt, he had to go up onto his toes, but the shoes had to stay flat on the ground, only his feet could move, so he had to have flexible ankles, which was tricky because he was only 9″ tall. An even greater challenge was we had to have him finished and delivered by Monday, which gave us THREE DAYS! We had no time to waste, or PANIC!
It was a tag team approach, one slept while the other worked. Peter made the armature; Chris sculpted the head; he sculpted the hands and made the shoes while she sewed the clothes. Chris finished painting and applying the hair while Peter made the hat and a miniature natural sponge.
After three grueling days, we finished the Dutch Boy puppet and delivered him Monday morning, much to the advertising agency’s surprise — they didn’t really MEAN Monday. And such was our introduction to the exciting world of tight deadlines and the beginning of a lasting (and beautiful) partnership.